Studio Patch
The history of electronic Midi Home Recording Studio
For electronic musicians, 1982 was Year Zero – That was the year that MIDI first on the market. It was developed as freeware – it has not been patented and was used as a universal norm of each brand is designed so that in a MIDI studio, the integration of different components or manufacturers can be used. The first of these was called MIDI 1.0, of course. Shortly after, began to appear in musical instruments with MIDI.
An initial problem is that the MIDI messages that hears the different elements to identify sounds by number of sounds ("play Patch # 16) and" Patch # 16 "could refer to different sounds of instruments from different manufacturers. It is a studio MIDI electronic instruments chained to a cable line, if the instruments and devices from different manufacturers were assembled musicians could get a drum sound, if it is to resemble a flute. That the electronic world, has been a standard patch-mapping "- a correlation between the standard number of patch and sounds that these figures represent.
Note also the problem that the musicians were in the recording of a song. Unlike WAVE files, MIDI files not registered, the music itself – there is only the electronic MIDI commands to each instrument are provided, such as "Play Parch # 16," Volume regulate [X] level, "and so on .. So, even if it uses all the equipment same brand to produce his masterpiece, if he plays again on another brand of equipment, the sound would be trying different because that the command "play Patch # 17" would play another sound to a brand of equipment on the other. So when he took over its composition, and he played a person of another MIDI module, could in his magnificent solo harpsichord solo piano now. Disappointment, dude. To solve the problem he must return to its Save and edit MIDI commands would be in harmony with the other module of the patch-mapping (unless he believes, by a miracle, that the solo harpsichord sounds better anyway!).
was created in response to this problem, the General MIDI (GM), Patch Bank, standardization the correlation between the number of program changes, and sounds for MIDI patch 128 (instruments). For this reason, there are only minor changes in sounds created in different banks of sounds for these 128 patches.
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