Female Xlr
XLR
Patterns of XLR connector
Variety of male and female XLR connectors with a different number of pins
The The most common of the three-prong XLR3 almost universally as a balanced audio connector for high-quality microphones and connections between devices are used. XLR3 was also used in some MIDI data synthesizer Octave-Plateau Voyetra-8 in particular. XLR4 (four pins) is ClearCom Intercom and Telex headsets and handsets, DC connections for professional film and video cameras and older versions of AMX control lighting analog. XLR5 is the standard connector for DMX512 digital lighting control and is also a microphone and two helmets with intercom Dual channel. XLR6 is used to double beltpack intercom channel.
Many other species, with numbers of different pins. Particularly notable are two now obsolete models of three poles ITT Cannon did. Power (as the connector XLR-LNE) has been, Cannon shrouded pins and red insulation, it was also a power connector thought it was the outlet IEC and, increasingly, more recently developed Neutrik PowerCon of.
The loudspeaker Cannon had blue or white insulation (by sex) was for connections between the audio power amplifier and some speakers. XLR3 time for connections also in detail by speaker cable is used, as when it was launched, they represented a new standard for alternatives and economic strength are not readily available. The Convention [edit] was that the speaker cables to two son had XLR3 at both ends to distinguish from a three-conductor shielded signal levels cable XLR3 a woman has at one end and a male XLR3 to another. Either pin 2 or 3 was live, according to the manufacturer, with pin 1 always the 'earthy' return. This use is now both outdated and dangerous equipment is still occasionally encountered, especially in older devices. For example, some speakers, a built XLR3M as an input jack. This use has been replaced applications professional audio connector by Neutrik Speakon.
The XLR connectors are the first pin 1 (the earth pin designed) before the other pins do when a male XLR plug is inserted. With the ground connection is established before the signal cables are connected, the insertion (and removal) of XLR connectors in live equipment is possible without picking up external signals (as often happens, for example, with RCA jacks).
system lighting controls for home entertainment applications is widely connected with five XLR. While only three pins are used to transport the signal DMX512 allows the design of détente with the remaining two pins for use with remote views Device Management (RDM) and prevents the architecture Control Network (ACN) and also users of lighting confusion with common 3-pin XLR audio cable. Unfortunately, five XLR still allow the use of microphone cable in low quality (non-110 Ohm) for transmitting signals. Some manufacturers of DJ lighting and professional lighting, even with three-pin connectors as standard. Manufacturers like Leviton and Lightronic have even found new protocols not compatible with 512, which use XLR Three to control lighting devices (primarily dimmers by the same manufacturer).
rechargeable devices are available, use Connector Three-pin XLR. These can be electric wheelchairs and scooters available. Connections lead from 2 to 10 amps at 24 volts.
XLR-LNE two-pin plugs and sockets, which originally used for network connections. Note that the panel is wrapped connection for reasons security.
Male and female panel connectors XLR4
Male XLR 5 socket mounting
Jack XLR6 women panel
Connections XLR3
From left to right: Cannon XLR 3-12C (line), Switchcraft X3F (line), Neutrik NC3MP Panel, Neutrik Group NC3FP
EIA RS-297-A describes the use of XLR3 to balance audio level applications:
Pin
Function
1
Earth Chassis (shielded)
2
positive polarity ("hot")
3
Back Terminal ("cold")
Some audio equipment manufacturers vice versa, the use of pin 2 (actually the normal input) and pin 3 (inverting input). This reflects their own prior use before any standard existed. Pin 1 is always ground, and many connectors connect it internally to the connector housing or the case.
XLR and 1 / 4 "TRS combo.
Although AES48-2005 and covered AES54-3-xxxx, it should be noted that differences of opinion on how best to encourage the use of pin 1 on both ends of a cable clamp, connected in particular with respect Display cable, plug in the hull, the signal ground and a third line with 1, (or not) can be pin connected to the screen.
XLR3M a (male) is used for performance and XLR3F (female) for entry. Such a microphone has an integrated connection XLR3M, and signal lines such as microphone cables will each have a XLR3F at one end and a XLR3M at the other end. At the end forefront a multicore cable to the inputs of the mixer connections XLR3F while revenues are on the scene XLR3M connector. Similarly, a mixer, microphone inputs will XLR3F connections, and any balanced outputs XLR3M connections.
Neutrik also several "combo" connectors, XLR and 1 / 4 "TS or TRS connectors accept.
Mnemonic
There are several mnemonics for remembering connections pins and colorful son of an XLR connector. One is to write the numbers 1, 2 and 3, the letters X, L and R, and a connection between L, "online" and R, "return" followed by:
X [external or ground or shield]
L [online or live]
R [back]
For wiring with shield, red, black and goes, "a booster rocket"
Solid [Shield]
Rocket [Red]
Booster [Black]
conduit for wiring to ground / shield / green, white and black, "George Washington Bridge:
George [Ground or Green]
Washington [Blank]
Bridge [Black]
Phantom Power
Some microphones such as condenser microphones require power to function. An alternative to phantom power from the battery that is used by both DC by two signal lines of a balanced audio connection (in modern equipment, usually an XLR connector). The supply voltage is referenced to the ground pin of the plug (Pin 1 = a XLR), which is normally connected to cable shield or ground wire in the cable or both. If phantom power was introduced, was one of its advantages, the same type of balance, a shielded microphone can, the studios were already dynamic microphones are used for condenser microphones, as opposed to vacuum tube microphones, the multi-conductor cable special need of all kinds.
With phantom power, the power effectively invisible balanced microphones do not use: for example, dynamic microphones. A signal balanced, includes only the voltage differences between two signal lines, places of phantom of the DC voltage on the two cables signal of a balanced relationship. This is in marked contrast with the other, the anterior approach to food as a "power parallel "or" T-sufficiency "(From German T-term supply), in which DC was directly superimposed on the signal is known differential mode. Plug a dynamic microphone (especially a band mic) having an input which allowed parallel switching very well damage the microphone strong, but this is generally not so with phantom power, unless the cable is faulty or incorrectly wired.
Digital XLR
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connectors XLR connectors are designed to provide greater RF rejection. Two models were released from Neutrik.
The EMC of the series is specially designed version Series XX RF shielding for critical applications in live performance and recording where there are particular problems with radio transmission to be improved. The design guarantees a continuous RF shield connection of the cable connector housing with a circular capacitor around the screen cable. The capacitor acts as a highpass filter with a cutoff frequency of 10 MHz. A ferrite bead 24 ohms at 1 MHz between pin 1 and the cable shield provides a lowpass filter for RF rejection filter improved.
XCC Series connector cable with a signal transferred to a excellent RF protection for digital audio signals most efficient and reliable. The XLR features a coaxial ground spring and a coaxial hex Crimp on cable entry for safe passage and safe of the screen to the hull. This is designed for transmitting digital signals according to AES42.
The idea is that digitization could occur in the capsule instead of the head of the snake or console. Win the original structure would directly produce the capsule along other other measures such as filters.
See also
Stereo Jack
RCA jack
DIN connector
RF connector
References
^ Rane Professional Audio Reference description
^ Audio Engineering Society. AES14-1992 AES standard for professional audio connectors equipmentpplication, part 1, XLR polarity and gender.
^ Http: / / www.sounddevices.com/notes/recorders/788/aes-42-support-in-788t/ AES 42 support @ Sound Devices
External Links
use Audio
the use of lighting control
XLR cable manufacturing
A brief history of the XLR
How to build a microphone cable with XLR
VDE
Audio and video ports
Single conductor audio
Binding post Banana plug Fahnestock clip
Analog Audio
TRS XLR DIN Mini DIN / D-Sub-Speakon
Digital Audio
BNC TosLink S / PDIF XLR D-Sub
Video
DVI / Mini-DVI / Micro-DVI DMS-59 VGA LFH / DIN Mini-VGA DFP BNC / Mini-DIN DB13W3 D-Terminal
Audio and Video
RCA ADC Belling-Lee DisplayPort / Mini DisplayPort EVC F HDMI P & D SCART TRS
Charts Visual
List of video connectors
Categories: Audiovisual connectors | DC connector | electrical connector hidden signal categories: All text empty statements | blank article with statements from January 2009 | Articles with an ad-Ton | All products with an ad-Ton About the Author
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